May 23, 2006
Recorded at Sunset Sound Studios, Hollywood, CA and The Village, Los Angeles, CA
Produced by Rick Rubin
The Dixie Chicks first studio album since 2002 includes 14 songs, all co-written by the Chicks. Other
co-writers include Dan Wilson, Pete Yorn, and Gary Louris of the Jayhawks. The first single, Not Ready To Make Nice, is an
autobiographical look at the fallout over Natalie's comments about President Bush in March 2003. Other topics addressed in
songs are Alzheimer's disease, infertility, small-town narrow-mindedness, and the psychology of celebrity.
Natalie Maines: lead vocal, background vocals, omnichord
Martie Maguire: violin,
viola, mandolin, background vocals
Emily Robison: banjo, acoustic guitar, electric guitar, papoose, accordion, sitar,
Mike Campbell: electric and acoustic guitar, 12-string acoustic and 12-string electric guitar
Richard Dodd: cello
Marvin Etzioni: mandolin
Smokey Hormel: electric and acoustic
Larry Knechtel: piano, B3 organ, wurlitzer
Gary Louris: acoustic and electric guitar, 12-string electric guitar,
Lloyd Maines: pedal steel, mandolin, octave mandolin
John Mayer: lead electric guitar
Keb’Mo’: background vocals
Jonny Polonsky: lap steel, acoustic guitar, piano, bass
Raitt: background vocals
Chad Smith: drums
Sebastien Steinberg: bass
Matt Sweeny: acoustic guitar, electric guitar
Tench: piano, harpsichord, B3 organ, harmonium, wurlitzer, tack piano, farfisa
Chris Testa: xylophone, orchestral chimes
Wilson: electric and acoustic guitar, 12-string electric guitar, piano, bass, background vocals
"I Like It" & "I Hope" - horns arranged by Steve Berlin, Brian Swartz
Baritone and Alto Saxes: Terry Landry
Tenor Sax :Lon Price
Trumpet: Brian Swartz:
"Not Ready To Make Nice" - string arrangement by David Campbell, Martie Maguire
String contractor: Suzie Katayama
players: Martie Maguire, Joel Derouin, Mario DeLeon, Gerardo Hilera, Matt Funes, Andrew Duckles, Larry Corbett
Joe Meyer, Brad Warnaar
Flute: Stephen Kujala
Track By Track
(courtesy of Front Page Publicity)
1. The Long Way Around (written by Emily Robison, Martie Maguire, Natalie Maines, Dan Wilson)
That's a journey song, about the different stages in our lives. A recap of where we've been, where we're going - and it was
nice to remind ourselves of all that.
Natalie: We've always written songs that are about other people. It's so much
harder to put yourself out there and be honest with your emotions and your beliefs, but the songs are so much better and mean
so much more when you can let yourself be vulnerable.
2. Easy Silence (written by Emily Robison, Martie
Maguire, Natalie Maines, Dan Wilson)
Martie: We didn't set out to write a lot of love songs, but we're all
probably in the best place we've ever been with our mates.
Natalie: There's also a bit of political commentary in there,
from my point of view. I had to get a lot of other things off my chest before I could be nice and sentimental. Even when we
tried to write a sweet song, there was always a little dig at somebody.
Martie: One of the challenges for me was that
the songs we were writing weren't necessarily calling for the traditional kind of fiddling that I am used to doing on our
records. The orchestrated approach really pushed me to dig back into my training and remember how to play and write with those
sensibilities. Rick really encouraged me to think differently in this respect and not feel limited.
Ready To Make Nice (written by Emily Robison, Martie Maguire, Natalie Maines, Dan Wilson)
Emily: The stakes
were definitely higher on that song. We knew it was special because it was so autobiographical, and we had to get it right.
all gone through so many emotions about the incident. We talked for days with Dan before putting pen to paper, and he really
helped get inside our heads and put these feelings out. And once we had this song done, it freed us up to do the rest of the
album without that burden.
Martie: We had reached a point where we were laughing a lot about it, and people didn't
really know how far it had gone. I realized I had suppressed a lot about the death threat. It all came flooding back in the
process of writing this song, I think we all realized just how painful it had been for us.
Natalie: We tried to write
about the incident a few times, but you get nervous that you're being too preachy or too victimized or too nonchalant. Dan
came in with an idea that was some kind of concession, more 'can't we all just get along?' and I said, nope, I can't say that,
can't do it. And we talked about it, and he said, what about "I'm not ready to make nice?" From the outside, normal people
really weren't aware of how bizarre and absurd it got. Dan was really good at cluing in to that, saying something that didn't
back down, but still had a vulnerability to it. This album was therapy. To write these songs allowed me to find peace with
everything and move on.
4. Everybody Knows (written by Emily Robison, Martie Maguire, Natalie Maines, Gary
Natalie: I find the psychology of celebrity very interesting; the things people are willing
to sacrifice to be famous. I think it comes from a sad place. Some are grounded and can keep it in perspective, and some let
it take over.
Emily: It's a soap opera, something for people to watch that's bigger than life. And the people who
are in the middle of it love that. They want to be perceived as being larger than life. It's like watching "Richie Rich" or
Martie: I'm very proud that when Brad and Jennifer broke up, I didn't know for a month!
Sometimes you do feel more claustrophobic. I've definitely become more reclusive and anti-social and suspicious of people,
which sucks, but it does come with it.
5. Bitter End (written by Emily Robison, Martie Maguire, Natalie Maines,
Emily: That started when Martie came in with a little Celtic fiddle riff, just like two notes.
I'd been listening to the Pogues a lot, and I just started from a drone and a waltz time feel. It was hard at first writing
with people you don't know, how much you're willing to put out there and risk getting shot down. We spent long hours just
talking with these people, talking about life, collaborating on what we wanted to say
Natalie: It's a lot of hours
to spend with somebody if you don't have much in common. These writers are so good, they are constantly questioning if a song
is the best it can be.
Emily: Gary Louris is just so melodic - and he's really good at singing nonsense words to the
melodies, and then ideas just come out of that.
6. Lullaby (written by Emily Robison, Martie Maguire, Natalie
Maines, Dan Wilson)
Emily: That was last song that was written for the album. We felt like we said everything
we wanted to say, it was time to write a song about our kids.
Natalie: It's a song that you're really going to get
and is going to make you cry if you have kids. If you're a teenager, I guess you can skip over it!
One thing that's cool
about being a musician is that things live forever, so our kids will always have this as a gift to them.
Lubbock or Leave It (written by Emily Robison, Martie Maguire, Natalie Maines, Mike Campbell)
We'd seen a documentary called "The Education of Shelby Knox," which was about a girl - she was 16 at the time, very religious
- trying to get Lubbock to teach sex education in the schools. And Lubbock has one of the highest rates of teen pregnancy
and STDs in the US, so it really showed what happens when you keep this information away from people. Lubbock is also one
of the last hold-out radio stations that still won't play us, and of course Natalie is from Lubbock, so she has personal experience
with the box that a small town can keep you in.
Natalie: It's not just about Lubbock, but about any small, hypocritical
town. Mike was asking me for all the details - the stores, streets and I came up with this long list of names. We talked about
the irony of having a big painting of Buddy Holly at the airport -that his face is the last thing you see before getting on
I do feel bad for my family who’s still there and has to defend me - after everything they already went
through, to have to do it again.
8. Silent House (written by Emily Robison, Martie Maguire, Natalie Maines,
Natalie: This song is about my grandmother who has Alzheimer's. It's about walking through her
house, that she no longer lives in. Packing up a house, having all those familiar feelings and passing those wonderful memories
on to others.
Emily: Martie and I also had a grandfather who had dementia, and you realize that it's up to you to
remember them the way they were, because you're going to be a witness to their life. That's one of my favorites on the album.
It's kind of a dark horse - it's long, it takes a lot of patience, but I really grew to like it.
Natalie: Even though
this song is about our experiences, almost everyone has been touched by something like this. The other writers were all very
generous and understood what we needed to say.
9. Favorite Year (written by Martie Maguire, Natalie Maines,
Martie: I had an idea for a song where the person knows in their heart that a relationship wasn't
right, but still wants the other person to look back on it as the best time in their life. I think I was wished that that’s
how my ex husband looked back on our 5 years together, but I know that's not the case. But hey, you can make it true in a
Natalie: I had just watched "The Big Chill," so that's what I was visualizing. People who were so in love
when they were really young, and you really think you're going to spend the rest of your lives together, but then life just
Emily: Sheryl Crow worked out the chord progression. We worked on this song together when we were recording
Natalie: We felt an instant connection to Sheryl, she's very real and funny, easy to talk to and open about
10. Voice Inside My Head (written by Linda Perry, Emily Robison, Martie Maguire, Natalie Maines, Dan
Martie: This one was hard for Natalie. It took a long time for her to feel like she could sing this
song and really own it. It's a very heavy subject matter and it took us a while to get it right.
one that didn’t come together until the very end. Rick was instrumental in making the sound really work for this song.
11. I Like It (written Emily Robison, Martie Maguire, Natalie Maines, Gary Louris)
The day we wrote “I like It” with Gary we were looking just to write a rock song with a great hook. What I like
most about this song is all the layers of harmonies. It was one of those songs that we got to try things vocally, that we
had never done before.
12. Baby Hold On (written by Emily Robison, Martie Maguire, Natalie Maines, Pete
Yorn, Gary Louris)
Emily: That's a song touching on where we are in our lives and our relationships, trying
to get your partner to be Number One in your life and putting the focus back on your marriage, as opposed to just being mom
and dad. Kind of a "where are we now" look at married life.
Martie: I thought we'd write more about our families than
we did. We're really good friends, but we don't always talk a lot about our personal lives - maybe out of not wanting to burden
the others, or even just to keep a bit of privacy.
13. So Hard (written by Emily Robison, Martie Maguire,
Natalie Maines, Dan Wilson)
Martie: That song touches on the issue of infertility, which Emily and I both
had to deal with. I think we feel a responsibility to break down some of these barriers - it's much more of a common problem
than people realize. Someone the other day asked me if twins ran in my family. When I told them I did in vitro they said,
"Oh, so you took the easy way." I couldn't believe they said that.
Emily: We both got pregnant through in vitro fertilization,
and people usually get all freaked out when we tell them that. I don't find it a stigma at all - people need to start talking
about it, because it feels almost epidemic. And it's so wonderful that we have this technology.
14. I Hope
(written by Emily Robison, Martie Maguire, Natalie Maines, Keb’ Mo’)
was one of the last writers we wrote with, and it was so nice and so comfortable working with him. With what he's been through
and where he grew up, it's important to him to write positive, uplifting songs.
Natalie: On the other hand, he wasn't
afraid to get political, and this ultimately turned out to be a pretty serious song. Hopeful and positive, but serious.
Gold and Platinum Awards
Gold and Platinum awards are certified by
RIAA. Gold is 500,000 copies while platinum is 1,000,000 copies shipped.
gold - June 26, 2006
platinum - June 26, 2006
2x platinum - January 5, 2007
week ending - sales figures based on SoundScan
5/28/06 - 525,829
6/04 - 271,179
6/11 - 174,738
6/18 - 130,242
6/25 - 86,811
7/02 - 78,452
7/09 - 57,293
7/16 - 47,069
7/23 - 44,364
7/30 - 37,336
8/06 - 32,012
8/13 - 26,732
8/20 - 22,972
8/27 - 19,655
9/03 - 20,504
9/10 - 19,466
9/17 - 14,915
9/24 - 15,935
10/1 - 13,185
10/8 - 10,124
10/15 - 8,768
10/22 - 7,658
10/29 - 10,666
11/05 - 12,261
11/12 - 11,753
11/19 - 13,726
11/26 - 16,656
12/03 - 15,851
12/10 - 21,560
12/17 - 32,795
12/24 - 41,123
12/31 - 13,199
1/07/07 - 8,581
1/14 - 6,553
1/21 - 5,427
1/28 - 5,867
2/04 - 6,113
2/11 - 12,708
2/18 - 103,407
2/25 - 50,134
3/04 - 42,274
3/11 - 30,912
3/18 - 21,857
3/25 - 18,136
4/01 - 15,154
4/08 - 17,166
4/15 - 10,650
4/22 - 10,458
4/29 - 8,802
5/06 - 7,911
5/13 - 9,356
5/20 - 6,743
5/27 - 5,969
6/03 - 5,648
6/10 - 5,501
6/17 - 5,969
6/24 - 4,682
7/01 - 4,249
7/08 - 3,982
7/15 - 3,666
7/22 - 3,737
7/29 - 3,762
Total through 12/09/07 - 2,353,098